I saw a circly-wirkly tree making quite a show, its circly-wirkly branches in circles liked to grow. Round and round without a stop, up to that bobble on its top.
At first it made me giddy, so I sat down in the shade, and that’s when someone told me the tree had been hand-made!
Teacher’s note: This poem can be used to talk about topiary, the art of shaping bushes. Students can be asked to bring examples of topiary to class.
Photo by Ginette Pestana
This post was scheduled for Thursday 22nd October, however we are currently having problems behind the scenes with the ACP website. Please accept our apologies.
Whenever life goes off the rails, Cheryl chews her fingernails. Chomp, chomp, she chews away, Chomp, chomp, she chews all day. They look bitten, they look ragged, so uneven, really jagged. She chews so hard, goodness knows — she’ll chew up to her elbows!
This post was scheduled for Tuesday 20th October, however we are currently having problems behind the scenes with the ACP website. Please accept our apologies.
Oysters, oysters, fresh from the bay, their shells are shining in the sun today.
They’ve been growing for one whole year; the time to eat them is almost here.
Oysters taste slimy, some people say. But I think they’re great, any old day!
Teacher’s note:It takes a year for an oyster to grow before it’s ready to eat. People either love them or hate them. How many students in your class like oysters — and why? How many know where they come from? In the photo, the yellow “fingers” are visible — that means the shell has further to grow.
Inspecting oysters at Mooney Mooney, Hawkesbury River. Photo by Ginette Pestana
2026 Theme: Invest in Peace – For Everyone, Everywhere, Every Day
Teacher’s note: Anaphora is a literary device where a word or phrase is repeated at the start of successive lines or sentences. By repeating the sequence of words, students can add emphasis to their poetry. Poets.org states: “Not only can anaphora create a driving rhythm by the recurrence of the same sound, it can also intensify the emotion of the poem.”