Blue and Red by Sophie Masson

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Blue and Red

 

All the day long, the bluebird sings,

High in the trees, high on the wing.

 

All the day long, the red cow eats,

Moos and eats, moos and eats.

 

All the night long, the blue dog howls,

Keeps up the neighbours with his sad yowls.

 

All the night long, the red fox prowls,

Watch out you farmers, lock up your fowls!

 

Sophie Masson 

Party at Luna Park by Jenny Erlanger

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Party at Luna Park

 

The party was great.

I’ve got so much to tell

but I can’t do it now,

I’m not feeling too well.

I don’t want to chuck

but I know that I will.

Is it something I ate

that is making me ill?

The frankfurts and sauce

can’t have made me feel bad.

The ten that I ate

were the best that I’ve had.

And it wasn’t the chips

that I had as a snack

as we all raced around

on the dodgem car track.

It might have been what

I was drinking instead,

that bottle of stuff

that was fizzy and red

that I drank when my mouth

was all dried up inside

after screaming so much

on the Gravitron ride.

Or could it have been

what I had as a treat,

something I’ve wanted

forever to eat,

that mountain of fairy floss

stuck to a stick?

Quick, pass me the bucket,

I’m going to be sick.

Jenny Erlanger

First published in “Giggles and Niggles” (Haddington Press, 2007)

Dear Uncle Wally by Allan Cropper

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DEAR UNCLE WALLY

When dear Uncle Wally slips off his shoes
Warnings go out on the six o’clock news
The smell is so bad that you might like to choose…
To sneak out and just run away.
 

When dear Uncle Wally takes off his socks
It sets off alarm bells and stops all the clocks
They ought to be burned or else locked in a box
And then taken far far away.

When dear Uncle Wally wriggles his toes
You can see as the fungal bacteria grows
Does he wash his toes? I guess nobody knows
I pray that he’ll wash them today.

When dear Uncle Wally rubs at his feet
The smell it emits is like old rotting meat
The air freshener spray can hardly compete
With that sweaty foot odour bouquet.

Pooh!!!

Allan Cropper

Silverfish by Helen Hagemann

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Silverfish

Not as lucky as a Las Vegas dollar
nor as silver,
but if you look inside panelled rooms
there may be several silverfish
touring endlessly in the house of a miser
or in one of those 19th century cottages
where the rain soaks North Somerset,
bookshelves covered in trench coats.

You know that silverfish chew into glue,
plaster, paint, photos, sugar, coffee,
hair, carpet, clothing, dandruff,
book bindings and paper (and that’s
a lot to get through in a week!)

Imagine one slippery silverfish
in a musty library of a French poet
travelling through paragraphs of Reverdy,
John Donne, Simone De Beauvoir or Sartre,
his hunger moving toward simile and speech,
words curling into little white ropes
and lifting from the page,
one letter at a time.

 Helen Hagemann 

A Huge Mistake by Jenny Erlanger

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A Huge Mistake

 

I’ve taken our rubbish bins out to the street.

I’ve helped wash and vacuum the car.

My bedroom is finally looking as neat

as all of the other rooms are.

I’ve weeded the garden, the front and the back.

I’ve cut up the veggies for tea.

I’ve dried all the dishes Mum left in the rack

and now I’m as tired as can be.

I’ve brought in the clothes ’cause it’s going to rain,

I think I deserve a reward.

I made a mistake when I chose to complain

of feeling so terribly bored!

 

 Jenny Erlanger

The Call of the Wind by Teena Raffa-Mulligan

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The Call of the Wind

 

The wind whispered softly through grass and through gum.

She heard it call clearly, invitingly, “Come!”

Felt fingers of freshness caressing her face,

ruffling her fur with such gentle embrace.

The earth had a freshness that comes after rain

and she heard the wind calling, again and again:

“Come and run with me, seek freedom, take flight!”

Its call roused a longing to know such delight.

 

It whispered so softly, in murmur so low.

It beckoned her, “Come,” and she wanted to go.

To forage in green grass new-kissed by the rain,

to taste of its sweetness and know once again

how it feels to run freely with life unrestrained,

to run with the wind, by a fence uncontained.

She pricked up her ears, her body was tense.

Her heart filled with longing, she leaped at the fence.

 

The sweet taste of freedom was brief – incomplete –

for she soon heard the sound of hurrying feet.

Familiar voice calling, she paused in her flight,

heard gentle voice saying, “I know it’s not right.

But sorry, old girl, I can’t let you run free.

If you’re on the loose the ranger might see

And take you away. Then you’d no more know

even brief tastes of freedom – a walk every day.

It’s not much to offer, but home you must stay.”

 

 

Teena Raffa-Mulligan 

How to Recognise a Poem by Liana Joy Christensen

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How to Recognise a Poem (Your Own)

 

You know

when you walk on a bush track at noon

the birds are hushed by heat

but down near your feet leaves rustle

and you smile to yourself

because another creature is near

it’s like that

 

You know

when you feel grumpy for days

nothing’s right and you don’t know why

then it shifts and fat drops of rain

kiss the dust on the pavement

the air is alive with possibilities

just before the water roars down

it’s like that

 

You know

when you get an ear worm

three or more words together

that tease you so much

you can’t get them out of your head

Sometimes it lasts for years

it’s like that

 

You know

when you ride barefoot in winter

and your feet slip off the pedals

and you stub your toes

the pain takes your breath away

it’s like that

 

You know

when your old best friend tells

their new best friend

your deepest, secret shame

and now everyone knows

Then, a universe away,

the cold coal of rage

becomes a diamond rhyme

it’s like that

 

You know

when you wake up from a dream

so luminous you rush to catch it

and though it slips through your net of words

the moth dust left behind on the mesh

glows softly for years to come

it’s like that

 

You know it’s like that

You know it’s like that

You know it’s like that

don’t you?

Liana Joy Christensen

(Originally published in the US by Cicada, Vol 14, no 3, 2011 and later republished in Fremantle Press Performance Poets, 2013)